history

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London Trip

So my husband and I did this honeymoon do-over (let’s not talk about the first one, which was full of sickness and tropical storms) in August. Yes, that is over two months ago. My life has been crazy busy.

London was fantastic. We did so much in the nine days we were there, but could definitely have spent more time.

Not only did I most definitely find a knitting store:

from whence I got some lovely English yarn.

(it’s called Bowland DK by Eden Cottage Yarns. I fell in love with the colour. I also picked up a shawl pin, plus they gave me the bag for free!)

but I also chronicled my fibre-related exploits for y’all. In true librarian fashion.

The sign says:

               This door was at Westminster Abbey, if you’re curious.

I’ll start with a very cool find at All Hallows-by-the-Tower. Though it’s right by the Tower of London, it’s easy to miss. I only found out about it through an obscure blog post. Even my guide book didn’t mention it, but it’s totally worth a visit. Not just for the fibre-craft related objects I’m going to show you, but it’s a beautiful old church. In fact it’s the oldest in London. It was built on the remains of a Roman house and road, which you can still see in the basement. An added bonus? It’s one of the few churches that lets you take photos inside.

See the weird rectangle-shaped objects hanging below the pews? They are cushions: each handmade by a member of the congregation, going back generations. Here are some close-ups:

There is also this lovely weaving near the altar.

Another very cool find was the textile collection at the Victoria & Albert Museum.

I was SO excited to see these very famous ancient Egyptian socks made for wearing with sandals (ignore the “shoes” description. That’s for another item). These socks are often cited as an example of early knitting made using one needle, much like nålbinding.

The works below are woven tapestries from Byzantium.

The above is a woven silk piece depicting a bishop. It dates to 12-1300’s Germany or Italy. The very modern (i.e.: cartoon-like) looking face (complete with what looks like spectacles!) just kills me.

These woven pieces date to early Christianity in Egypt, around 400-600:

Here is a close up of the tapestry on the left. It depicts ankhs – an ancient Egyptian symbol of life that was adopted by the Christian Copts around the 4th century.

Below we have a quilt dating to 1360-1400. Probably made as a wedding gift, it depicts fourteen episodes from the adventures of Tristan. It was hard to take in all the detail on our camera, but you get the idea: lots and lots of stitching BY HAND. So gorgeous. It really has to be seen in person.

This next one is obviously a passion of the Christ scene. Probably from France around 1400-25. Once again woven BY HAND, folks. Our tour guide told us it took a professional weaver about a month working full time (sunrise to sunset) to make 1 square meter. Remember, most of these were big enough to cover a castle wall!

By the way, if you’re curious why tapestries were so common in the medieval period, here’s an answer: no central heating. Well-to-do homes that could afford tapestries were also typically made of stone. That sh*t gets cold!

We also got to see the famous, and enormous, ‘Boar and Bear Hunt’ woven wool tapestry, probably made in Arras, France or Tournai, Belgium around 1425-30.

The last fibre arts related stop that we made was at the Globe Theatre. I was super stoked to find a whole reproduction of an Elizabethan costume textile workshop in the museum.

Can you say “heaven”?

I really doubt that the following close-up images need introduction. Fleece, yarn, dye pots, sewing, pattern drafting, embroidery and lace work, it’s all here.

Pssst: the velvet above is authentic 15th-17th century Spanish and Italian handmade velvet.

And here we have the costume worn by an actress who played Queen Elizabeth at the Globe re-opening.

Check out the handmade lace!

I’ll end with this cool video my husband took of the Swiss Glockenspeil in Leicester Square near Piccadilly Circus/Covent Garden. Not textile related, but still a pretty cool handicraft.

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TTC Knitalong 2014

A little late, but I changed jobs last week so I’ve been a bit swamped.

Saturday July 12 was the annual TTC Knitalong. It’s that annual event where Toronto’s knitters (and others! I know people come from far and wide) break off into teams and travel from LYS to LYS via Toronto’s public transit system, the TTC. I was on the best team (sorry, everyone else): Team Lace. We got to visit Passionknit, Creative Yarns, The Purple Purl, and Romni Wools.

Here is a great photo of us at the Purple Purl that I stole from Lynn.

Jennifer the Happy has another version of the same picture on Instagram and Twitter:

And here is the day’s stash additions of my 3 knitting group friends and myself. Not too shabby.

I especially enjoy Alia‘s open mouth of joy and Kara’s fingering of the silk ball in the bottom right corner. I regret none of the innuendos in the preceding sentence.

There are more awesome photos in Lynn’s blog post.

Here’s what I got 😀

(click on the photo for what store and colourway/dye lot info)

100% silk! And Passionknit had 25% off all yarn so… I really couldn’t say no.

NEON SOCK YARN. Need I say more? Lynn, Kara, and I decided we had to have it as soon as we saw it at Creative Yarns. Other team members judged us, but I don’t care. At one of our knit nights we plan on all showing up with neon socks-in-progress. It’s going to be epic.

And that is all the yarn I bought. I KNOW, right? But Lord knows I have enough stash at the moment.

BUT, Passionknit was lovely enough to give out free Mirasol lace weight. Yes, you read that right.

Other awesome freebies included this gorgeous wooden crochet hook and some stitch markers from the Purple Purl,

 

 

 

 

and this cool button from Wool Gathering (then again, I love buttons) sporting a sentiment I happen to share,

 

 

 

 

 

 

as well as a bag, back-issue magazine, and yarn from Romni Wools. How incredibly generous LYSes can be.

And here is this year’s official button and bag, both of which are probably my favourite of the three years I’ve been doing this.

I also won a prize! Which floored me, because I never win anything. I won a copy of French Girl Knits by Kristeen Griffin-Grimes and a skein of Diamond Luxury Collection Fine Merino Superwash Lace from Knitty and Diamond, respectively.

And I like almost every pattern in French Girl Knits. Bonus! I mean, how could you not. Look at this gorgeousness:

I also bought two books. This is likely not a surprise to anyone who reads this blog…

Elizabeth Zimmermann’s Knitting Workshop is a classic. The late Mrs. Zimmermann was a master knitter from a European generation who memorized “recipes” for patterns, rather than rely on following written patterns verbatim. Take this page from her instructions for The Original Shetland Shawl as an example:

Marianne Kinzel’s First Book of Modern Lace Knitting is in the same vein, albeit the lace work featured in it is so detailed, some instructions are needed. I would like to try this doozy. Wish me luck.

Of course I will be using it as a shawl rather than a dinner cloth 😉 I’ll be damned if I let anyone eat off of this sucker.

Can’t wait till next year’s TTC Knitalong. It will be the 10th anniversary!

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Old stuff

I loves it.

I nerded out pretty hardcore when I saw that the decor theme at this restaurant was all vintage knitting and sewing stuff.

And at a used bookstore I recently acquired these:

   

Early American Weaving and Dyeing by J. & R. Bronson was first published in 1817. It discusses how to weave 35 designs and includes 41 dyeing recipes and tips. There is detailed coverage of wool processing, calculating thread, carding and spinning, loom operation, more.

Here are some excerpts:

Needlework as Art by Lady M. Alford is rather self explanatory. It explores the history of needlearts around the world.

Excerpts:

Remember, all of this would have been done by HAND. It blows the mind. This is why I love textiles: it’s history you can hold and use.

Another cool find recently has been a flea market with a large collection of antique crochet. Did you know that all crochet is done by hand? Machines can’t duplicate it like they can with knitting. You can have faux lace made on a machine, but it is just fibres crimped and pressed together cheaply, or in some places acrylic/plastic (shudder), but it will never be true crochet like these beauties:

 

 

 

I included the cake lifter in that last shot because it’s petit point themed. How awesome is that.

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For the love of yarn

It’s been officially over a month since my last post. It was the holiday season and I was furiously knitting, crocheting, and sewing, so I make no apologies. More to come on those adventures soon. For now I’ll continue on the topic of my being a process knitter, or “knitting for knitting’s sake,” lest things get disjointed.

More proof of my process bent can be found in the fact that I recently got a copy of this in the mail:

One of EZ‘s best, but perhaps most esoteric works. Lots of great patterns and knitting advice next to divergent stories about her life. Because of this, some find it tedious and lacking in enough patterns to be “worth it.” Yet I find her life supremely interesting: her stories of first learning to knit as a child, how this creative spark later translated into going to school for fine art and into starting her own knitting related business, how she loved to create clothes for her family and ended up passing her passion on to her daughter Meg. To me it’s inspiring.

Let’s be frank, my love for “Knitting Around” isn’t just proof of my being a process knitter, it also exemplifies the extend of my nerdiness. Take, for example, this other tome I bought (I use tome judiciously – it is rather large):

As this review states, the book is a sort of social history told through mittens. It is a collection of traditional knitting patterns and the stories behind them. Robin Hansen “gathered them from authoritative sources in New England, the Canadian Maritimes and Scandinavia—from knitters who are grandmothers, fishermen, lumberjacks and farmers, men and women, and who learned them from parents, aunts and neighbors.”

Does this kind of talk get the interests of you guys piqued, or is it just me?

As a side note, Hansen also wrote Sunny’s Mittens (which I’ve written about previously) and this other kid’s book I just stumbled across:

As a knitter, history lover, and children’s librarian, I heart you Ms. Hansen.

The same author appeared mentioned in another book I’ve read lately:

The author, Gwen Steege has put together a great compilation of things you need to know to be a knitter who can truly say she knows her craft. In it she mentions Hansen’s “Favourite Mittens” and talks at length about her work on twined knitting:

“Twined knitting was used throughout northern Europe and the Middle East whenever a firm, flat edging was needed, such as on scooped necklines or stocking caps. Today it turns up in eastern European and Middle Eastern knitting as a decorative edging, often called ‘braided edging’, although the effect of the two-color twined purl is more like a series of sideways chevrons than braid. The apparent reason for twined knitting’s demise in many regions has to do with the spread of the German or continental method of knitting in much of Europe… In twined knitting two strands are worked alternately, usually two ends of the same (quite small) ball. The strand for the present stitch is brought consistently either under or over the strand just used, creating a half-twist between stitches… The knit side is typically quite flat and firm, and the fabric has only slight elasticity… Although working twined knitting initially seems slow, the resulting fabric is firm, warm, and durable and, depending on the yarn and ornamentation, can also be quite elegant.”

A great tutorial on twined knitting by Knitty can be found here.

Since books seems to be the theme (yet again) I have to share this other recent acquirement (sales! all sales! I swear!) :

By the great Margaret Radcliffe, this is hands-down the best book on colour knitting I’ve seen.

Lastly, I need to share this:

“From the neo-feudalistic slubs, the corn-filled world of Tane’s youth, to his apprenticeship among the deadly saleswarriors of Seattlehama–the sex-and-shopping capital of the world–to the horrors of a polluted Antarctica, Yarn tells a stylish tale of love, deceit, and memory. Tane Cedar is the master tailor, the supreme outfitter of the wealthy, the beautiful, and the powerful. When an ex-lover, on the run from the authorities, asks him to create a garment from the dangerous and illegal Xi yarn–a psychedelic opiate–to ease her final hours, Tane’s world is torn apart. Armed with just his yarn pulls, scissors, Mini-Air-Juki handheld sewing machine, and his wits, Tane journeys through the shadowy underworld where he must untangle the deadly mysteries and machinations of decades of deceit.”

Um, awesome? It’s on my to-read list.

ADDENDUM: while on the topic of nerdy knitting things, I just found this post on knitting in Shakespeare by fellow blogger Katknit. “I mean, that my heart unto yours is knit” – I might have to use that in my wedding vows…

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Just a Little Bit of History Repeating

It is no secret that I have a passion for traditional and historical information on both knitting and fibre art in general. Arans, Guernseys, Fair Isle, Dutch knitting, Peruvian knitting, Bosnian knitting, Shepherd’s knitting and crochet, Turkish socks, and medieval knitting and spinning have all featured in my blog at some point. Examples include this post and this post and this post and this post. Well, it’s been a few months since such a post, and I’ve a) found some new crafts to share, and b) have some updates to the ones I’ve discussed before and to my recources. Excited? So am I!

I’ll start with a wonderful recent post from a fellow Toronto blogger (who also happens to run Wise Daughters) on her great aunts’ samplers and the emotional connection we have to tradition and herilooms.

I was perhaps most excited to find out about the ancient art of nålebinding. Nålebinding is a Danish word literally meaning “binding with a needle” or “needle-binding”, also spelled naalbinding, nålbinding or naalebinding. In English it is known as “knotless netting,” “knotless knitting,” or “single needle knitting” according to Wikipedia and this blogger. It is a predecesor to knitting that was used by the Vikings and employed only one needle. I have a large list of links indexed in my Delicious account if you’re interested in finding out more. This is what it looks like:

Click mittens photo to see more. Heck, click it to see a whole lot more pretty pictures of Northern European reconstructionist living. Including lots of textiles. I’m seriously drooling a little bit right now… Here’s the permalink to the photographer’s Flickr.

Nålebinding techniques were not limited to the Vikings. Many cultures used single-needle tools to make knitted-like fabric. Some of the different stitch styles can be found in my Delicious links, as mentioned above. It is still practiced in parts of Peru. They use it to make bracelets. It used to be used for hats like these before knitting needles were introduced:

Speaking of Peru, I found another great article on textiles in that country in an issue of Twist Collective.

Nålebinding was even practiced in ancient Egypt too, where these socks are from.

Did you know that true knitting, meaning the less sloppy two stick variety, started in Egypt? At least that is where the earliest example has been found, dating to about 1000 CE. Knitty has a good overview of the beginnings of our favourite craft here.

I also need to share Kate Davies’ blog with you. I mentioned her, though not by name, in my Storytelling and Fibre Art post as a source for info on Estonian knitting. Little did I know the treasure-trove I had stumbled across. Suffice it to say she is a historian specializing in textiles who publishes her own e-zine called Textisles. She’s where I found out about the Irish Hands book I discuss below.

Antique pattern library is another amazing recource I recently stumbled across while trying to help a patron at work find J.P. Coates’ filet crochet book on insertions by Anne Champe Orr from 1910. It has hundred of now public domain pattern books available as pdf downloads. My iPad is now full of ’em. I’ve also been pinning all kinds of other free, public domain patterns on my History and Folklore of Crafts and Vintage boards on Pinterest since then…

Another cool resource I’m glad I found is this great site by Gordon Reid on the history and creation of ganseys and guernseys. He led me to this book:

Cornish Guernseys & Knit-Frocks by Mary Wright. It’s short, but absolute perfection. Read it. Now.

The beautiful free wool I recently acquired from a generous de-stashing friend, which you may remember from this post, got me interested in the mill it came from – Briggs and Little in New Brunswick. They pride themselves on being Canada’s oldest woolen mill and use only Canadian pure wool. They have also published a book called Knits from the North Country that I would really like to get my hands on. Alas, it’s quite expensive and a little too obscure for libraries to carry. Maybe one day…

Speaking of Canadian knitwear…

I recently took out Sylvia Olsen‘s Working With Wool: A Coast Salish Legacy and the Cowichan Sweater from the library and am quite impressed so far.

Ms. Olsen has also written a very charming advanced picture book on the subject called Yetsa’s Sweater:

Index

Speaking of Canadian traditions, I want to include Marilyn I. Walker’s Ontario Heritage Quilts. It isn’t knitting related, but it’s still a handicraft and many knitters quilt and quilters knit, so there. I was just excited to find out we even have heritage quilts in Ontario.

Another book I’ve been coveting is Annemor Sundbø‘s Invisible Threads in Knitting. It is essentially her richly illustrated musings on knitting history based on years spent, and treasures found, in the Torridal Tweed factory she acquired in the the early 1980s. Unfortunately it is mysteriously hard to find. Unlike her other, very popular, books, this one is only available for sale through her website. The large format and glossy photos also help to make it rather expensive. Luckily, Ottawa Public Library owns a copy, so I put in a request with my library to borrow it from them (called an inter-library loan). This is why Worldcat is my friend :). My review? The accuracy of all of the information is suspect (Sundbø does repeatedly remind the reader that these are her personal observations), but still highly worth a read. She’s one of knitting’s gurus, afterall.

Irish Hands by Sybil Connolly is the book that Kate Davies recommended. It is full of information and beautiful photography. And it’s not all romantic Celtic knot work. Sybil Connolly was (she sadly passed in 1998) Ireland’s grand dame of textiles – she knew her stuff. Since it’s an older book, it is very easy to find copies of this on used book sites for quite cheap.

I’ve mentioned Nicki Epstein’s wonderful Knitting on Top of the World in pervious posts. I recently was given a copy of Lela Nargi’s Knitting Around the World and must say it gives Epstein’s work a pretty good run for its money. I think it actually has more historical information than Epstein’s does.

B.T. Batsford Publishing’s “Complete Book of Traditional…” series is older, but also worth a look (though I’m not a fan of the Aran one).

Fair Isle Knitting by Sheila McGregor

Aran Knitting by Shelagh Hollingworth

Scandinavian Knitting by Sheila McGregor

Traditional Knitting by Rae Compton

Speaking of Scandinavian knitting, another great book is Annemor Sundbø’s Norwegian Mittens and Gloves.

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There is also this really cute little book by Robin Hansen called Sunny’s Mittens. Similar to Yetsa’s Sweater, it is a picture books about a girl learning to knit from her grandmother. However in this story, they are making Swedish folk mittens called Lovikka mittens.

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A pair of Lovikka mittens:

Prodimage_2202

Finally, we have Wrapped in Lace: Knitted Heirloom Designs from Around the World by Margaret Stove. Though Interweave Press is often critiqued for the historical accuracy of some of the books it publishes, I have to say that it looks like Stove has really done her research in this one. Plus, the creations throughout are jaw-droppingly gorgeous.

And that’s a wrap! (Sorry, bad pun). All of the resources I’ve used can be found not only in the posts concerning them, but also on my links page as well.

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Books

I’ve been writing about knitting a lot lately, and technically this blog is supposed to also be related to the fact that I am a librarian. So, without further ado, some book-ish things (though some of it is still yarn-related, but I digress) :

The Toronto Public Library’s Arthur Conan Doyle Collection recently acquired an autograph notebook. This item was purchased from someone who found it at a flea market in England.

What makes this find so interesting is that it seems to have belonged to two children with the last name Cubitt. On one of its pages they concocted a unique code using images of dancing stick figures.

This was in 1902. In 1903 Doyle signed the book for the children.

What is interesting is that in that same year Doyle published his Sherlock Holmes story “The Adventure of the Dancing Men,” and Holmes’ client in the story bears the last name Cubitt. Additionally, Doyle is said to have gotten the idea for this inventive code after seeing some stick-figure letters drawn by a young boy in an autograph book. Intriguing, wouldn’t you say? Full story here.

Sometimes I wish I worked in a collection like the Doyle Collection. For one, I’m a nerd who likes history and having the responsibility of preserving it, but another reason is that it would get me out of public service.

Don’t get me wrong, 90% of the time I like it. You get your difficult patrons, of which there have been many of late for some reason, but the good experiences make up for it. And I’m too social a person to be content hiding behing books all day. It’s just that this coming week I have my first class visit :S

I love doing storytimes for the kiddos, and have been doing that for almost two years, but this is another level. It’s not just fun and games, read them books, teach them songs, and just get across that literacy = fun. I have to talk about what the library is and offers… to 5 year olds. Do they even know what “borrow” means? Probably not. I need to remember to explain absolutely everything, but as simply and non-boringly as possible. And their teachers will be watching. Adults are so much harder to please than kids…

This brings me to this new book I’m quite impressed with:

Show Me a Story by Emily K. Neuburger has been giving me lots of ideas of things to try next week. It might just save my bacon…

And now for the latest editions to books-Erin-shouldn’t-be-buying-but-did:

Sewing Basics : All You Need to Know About Machine and Hand Sewing by Sandra Bardwell I am hoping will answer all of my myriad of questions as I enter the netherworld of sewing machine use. By the look of things, it will:

That's a lot of types of machine feet...

So excited for Knitting in the Old Way by Priscilla A. Gibson-Roberts and Deborah Robson, which I scored for $10. Priscilla also wrote this other gem, which I wrote about here. It’s not flashy, but it is packed with information. If you are at all interested in textile history, this is one you should pick up.

I got these two books at the Creativ Festival today, where I modelled for the fashion show displaying local designers, organized by Creative Yarns. It was a lot of fun and very inspiring (we have a lot of talent in Toronto). Off to bed now for round two and more shopping tomorrow.

I leave you with the progress I’ve made on my fingerless gloves WIP…

and Ozzy the alpaca.

And as a bonus for making it to the end of this post, have some free book plates I’ve pinned on Pinterest. Cheers!

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Hi-yah!

Besides the fact that the fiancé and I were sick for a bit, it’s been a good couple weeks. First off, I must take a moment to point out an initiative very close to my heart that I found out about through a post on the wonderful Simply Notable blog:

The idea behind the Purple Stitch Project is to knit, crochet, or sew purple (the epilepsy awareness color) gifts for kids with seizure disorders. These gifts will serve as a reminder that they are not alone — that they have community support. The 2nd goal of PSP is to raise awareness about epilepsy, the 3rd most prevalent neurological disorder (next to stroke and Alzheimer’s). With every purple stitch made and every handmade item worn or carried, perhaps a collective conversation will begin about a disorder that surprisingly little is known about.

As some of you know, my fiancé has epilepsy, hence I am super excited to hear about such an awesome initiative. The fact that it involves the hobby I love helps too.

There are all kinds of patterns listed on Craftsy and Pinterest. Including awesomeness like this:

Everyone should make one!

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In other news, my shrug is coming along well. If I like it, I might also make it in white for the wedding 😀

Isn’t the drawstring square-bottom project bag you see in the photo awesome? I got it, along with another one in a funky pink, gold, and white fabric, from one of my fellow World Wide Knit in Public Day organizers, who made them for all of us who helped plan WWKIP Toronto Edition. It was such a nice surprise!

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On Friday I went to the latest

If you’ve never been and you’re ever in the area, you should go. Click on the Knitty logo/banner for the link to more info, but essentially it’s a great time in one of Toronto’s greatest (and probably coziest) yarn stores, The Purple Purl. You and twenty-nine other knitters get to test and review five new yarns ranging from super luxury skeins to bargain ones. The reviews are used by Knitty for their magazine.

Voilà, the swatch I had at the end of the night. There be alpaca, merino, and even cashmere in them there hills of inadvertent garter stitch.
And their are door prizes! I went home with this:

And the entire store was on sale, so this had to follow me home:

Did you spot my invasive cat in, not one, but both of the pics above? Because, you know, I don’t give him any attention, not at all.

More free things! :

This is chunky/bulky weight wool yarn from Briggs & Little that I got from a destashing friend.

Last weekend I visited family out in the country, and came back from antique shopping with some pieces of handicraft history.

These are two antique yarn bobbins/spools. Well used from the looks of them. See how they would have been used here.

This handkerchief is hand embroidered and edged with crochet. I love the little pieces of detail. And I couldn’t very well resist a four leafed (leaved?) clover.

Beyond that I’ve found myself cooking and baking a lot. It’s the fall weather – it is finally not too hot to have the oven on, and nothing is better than long-simmering soup, à la this recipe for Tomato Basil Parmesan Soup I made on the weekend. Pinterest is likely also partially to blame. I’ve been pinning way too much.

Speaking of baking…

We had a potluck at work. One of my colleagues and I are a) very nerdy and b) share a love of Game of Thrones (we’re librarians, so it’s not a surprise). Plus there is my love of all things medieval. This led to us using this:

To make things like this (complete with explanatory notes) :

Whole story here.

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Storytelling and fibre art

The weekend before last, I had the opportunity to take a course through Storytelling Toronto. It was a great learning experience, and to my surprise I was able to successfully complete the weekend’s goal of learning and telling an oral story. I chose this story, one close to my heart as a nerd where Celtic myth is concerned.

One the way home on the Saturday, I got to thinking about the tradition of storytelling. Of our mostly illiterate ancestors, sitting around fires or hearths and passing on their oral history with a dual goal of entertainment on long winter nights and establishing cultural memory. Often they did this while engaging in handicrafts that were necessary in order to food and clothe the village.

This made me wonder if there were myths and legends featuring knitting, weaving, or spinning. If so, how many? How are these crafts portrayed? In my research, I came across some interesting resources:

This page on allfiberarts.com features a pretty decently extensive list of myths featuring fibre arts, complete with links to the myths themselves.

 

 

I also enjoyed this blogger’s post on the knitting Huldra character from the folklore of Norway.

 

Speaking of the northern reaches of Europe, here is a great piece, featuring gorgeous photographs, on the traditional folk costumes of Scandinavia, which of course features lots of knitwear. They even have a book available on the subject.

 

 

 

 

 

 

 

And of course, one can’t talk about European knitting traditions without mentioning Estonian textiles. Nancy Bush’s seminal book on the subject is something every knitter should read, in my opinion, but the essays of  this blogger makes for pretty good reading as well.

There is of course a rich knitting history in the British Isles too. Here are some great sites on the art of Fair Isle, Arans, and Guernseys.

Heading around the world now to the Andes of Peru, no tour of knitting culture would be complete without mentioning the rich textile tradition found there. I could not find as much knit-related folklore from the area (not in English anyway), but this photographic travelogue richly illustrates the vibrant culture and mentions some folk traditions, as do the essays located here and here.

 

The Folk Knitting Flickr group has a great bibliography of books on folk knit patterns and history on the bottom of their description page. Being a librarian of course, I have a few gems I would like to add.

1) Folk Knits: Traditional Patterns from Around the World by Melinda Coss. It’s out of print and hard to get your hands on, but a few patterns can be found on this Flickr user‘s account, mostly on the 2nd and 3rd pages.

2) Knitting on Top of the World by Nicky Epstein

 

 

 

And on a related (to knitting, folklore not so much), the Toronto Star published this article on the rise of the knitting commuter on the weekend. I was so pleased 😀

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Why do we knit?

I often wonder why I am so drawn to this hobby. Especially as someone who tends to fret over how wisely I spend my time and how enriching my pastimes are. But I love to knit. I have URGES to knit – my hands will actually itch. I browse Ravelry and Knitty in my breaks at work.

What is it about using sticks to loop string around and around itself in repetitive motions until you have something functional, something that took 100+ hours of your life to produce when you could have bought it pre-made for $30 (and quite possibly less than the cost of your wool)?

To be entirely honest, I don’t quite get it. I’m nearly as obsessed as they come, and I can’t come up with a solid answer.

Is knitting the new yoga? I’ve heard this oft-quoted mantra many a time, but I’m not quite buying it. And this is coming from a girl who quit yoga after 3 sessions.

Though, there may be something to the calming aspect of it. It forces one to slow down and contemplate. It’s almost meditative in a way.

I think that is a big part of the attraction, however I think there is more to it than that for me. On a recent trip to the Art Gallery of Ontario, I was struck by their new photography exhibit. Featured were stunning turn-of-the-century prints taken in rural parts of France. Now, I don’t want to romanticize what I’m sure was a tough existence, but part of me felt a connection to the images, especially those featuring women going about their daily lives, namely spinning yarn, knitting, and washing and mending clothes by hand. (For more on my love of handicrafts in the days of yore, see here).

Suddenly, something clicked. I was reminded of an essay I had recently read in Ann Budd‘s book Knitting Green and immediately re-read it when I got back home.

In Touching the Sun Through Fiber Carmen S. Hall writes, “I can feel my dear grandmothers watching over me when I knit, and the presence of other ancestors I never knew… I touch the souls of others when I knit. I also learn to better touch my own soul… Zen poet Thich Nhat Hanh tells a beautiful story about looking deeply into a piece of paper. He says that if you are still enough and look deeply enough, it is possible to touch the tree from which the paper was made, to feel the soil beneath its roots, the wind that blew through its branches, the shade of the cloud that passed overhead, the gentle rain that fell… if you look deep enough, it is possible to touch the sun… As I knit, I hope to pave the path for others as they tap into the mystery of craft and creation. I hope my children will remember me knitting though joys and through sorrows… I hope they too will learn to touch the sun.”

I could not have said it better myself.

Elizabeth Zimmerman may be able to say it more succinctly, however:

“Knit on, with confidence & hope, through all crises.”

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The Distaff Gospels

The Distaff Gospels (Les Évangiles des Quenouilles), is a 15th century French collection of more than 250 popular beliefs, forming a sort of gospel of late medieval women’s wisdom. A writer and tale-teller (trouvere) named Jean d’Arras attended the daily winter spinning sessions of a group of local neighbourhood women over a period of six days. His task was to record their discussions of beliefs, recipes, remedies, and advice so that they might be preserved for future generations. The result is a rich repository of folk wisdom and lore, often buried under a gloss of the pervasive Christianity of the time period.

Here are some yarn-related excerpts:

“If a woman leaves flax unspun on her distaff on Saturday, the thread that will be spun from it the following Monday will never be any good and the cloth made with it will never be really white.”

“To get rid of warts, you must take a thread that a woman has spun after her lying-in [recovery period after giving birth] and tie it around the warts: they will all fall off instantly without difficulty.”

“A young woman who wishes to know the name of her future husband should stretch out the first thread which she has spun that day at her door and then find out the name of the first man to pass by – she can be certain that this will be the name of her husband.”

Translation I used: The Distaff Gospels. Eds and Trans. Madeleine Jeay and Kathleen Garay. New York: Broadview Editions, 2006. Print.

The Witch of Forest Grove has a great article on the Distaff Gospels on her blog, with some more quotes and pictures, here.

The Wikipedia article on weaving and mythology also provides some facinating historical context.