weaving

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London Trip

So my husband and I did this honeymoon do-over (let’s not talk about the first one, which was full of sickness and tropical storms) in August. Yes, that is over two months ago. My life has been crazy busy.

London was fantastic. We did so much in the nine days we were there, but could definitely have spent more time.

Not only did I most definitely find a knitting store:

from whence I got some lovely English yarn.

(it’s called Bowland DK by Eden Cottage Yarns. I fell in love with the colour. I also picked up a shawl pin, plus they gave me the bag for free!)

but I also chronicled my fibre-related exploits for y’all. In true librarian fashion.

The sign says:

               This door was at Westminster Abbey, if you’re curious.

I’ll start with a very cool find at All Hallows-by-the-Tower. Though it’s right by the Tower of London, it’s easy to miss. I only found out about it through an obscure blog post. Even my guide book didn’t mention it, but it’s totally worth a visit. Not just for the fibre-craft related objects I’m going to show you, but it’s a beautiful old church. In fact it’s the oldest in London. It was built on the remains of a Roman house and road, which you can still see in the basement. An added bonus? It’s one of the few churches that lets you take photos inside.

See the weird rectangle-shaped objects hanging below the pews? They are cushions: each handmade by a member of the congregation, going back generations. Here are some close-ups:

There is also this lovely weaving near the altar.

Another very cool find was the textile collection at the Victoria & Albert Museum.

I was SO excited to see these very famous ancient Egyptian socks made for wearing with sandals (ignore the “shoes” description. That’s for another item). These socks are often cited as an example of early knitting made using one needle, much like nålbinding.

The works below are woven tapestries from Byzantium.

The above is a woven silk piece depicting a bishop. It dates to 12-1300’s Germany or Italy. The very modern (i.e.: cartoon-like) looking face (complete with what looks like spectacles!) just kills me.

These woven pieces date to early Christianity in Egypt, around 400-600:

Here is a close up of the tapestry on the left. It depicts ankhs – an ancient Egyptian symbol of life that was adopted by the Christian Copts around the 4th century.

Below we have a quilt dating to 1360-1400. Probably made as a wedding gift, it depicts fourteen episodes from the adventures of Tristan. It was hard to take in all the detail on our camera, but you get the idea: lots and lots of stitching BY HAND. So gorgeous. It really has to be seen in person.

This next one is obviously a passion of the Christ scene. Probably from France around 1400-25. Once again woven BY HAND, folks. Our tour guide told us it took a professional weaver about a month working full time (sunrise to sunset) to make 1 square meter. Remember, most of these were big enough to cover a castle wall!

By the way, if you’re curious why tapestries were so common in the medieval period, here’s an answer: no central heating. Well-to-do homes that could afford tapestries were also typically made of stone. That sh*t gets cold!

We also got to see the famous, and enormous, ‘Boar and Bear Hunt’ woven wool tapestry, probably made in Arras, France or Tournai, Belgium around 1425-30.

The last fibre arts related stop that we made was at the Globe Theatre. I was super stoked to find a whole reproduction of an Elizabethan costume textile workshop in the museum.

Can you say “heaven”?

I really doubt that the following close-up images need introduction. Fleece, yarn, dye pots, sewing, pattern drafting, embroidery and lace work, it’s all here.

Pssst: the velvet above is authentic 15th-17th century Spanish and Italian handmade velvet.

And here we have the costume worn by an actress who played Queen Elizabeth at the Globe re-opening.

Check out the handmade lace!

I’ll end with this cool video my husband took of the Swiss Glockenspeil in Leicester Square near Piccadilly Circus/Covent Garden. Not textile related, but still a pretty cool handicraft.

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Rhinebeck

So this was my first year experiencing the yarn mecca that is Rhinebeck. Needless to say it surpassed all expectations.

When we first got there, we had quite a line ahead of us.

and then even more started to assemble behind us…

As uninitiated, we were a little worried we might be in for a long wait. But once the gates were open we sailed in and past some beautiful New England (or close to it anyway) foliage.

     

Oh, and I forgot to mention that we were sure to wear handknits. Though that probably goes without saying.

Here is a summary of some of my favourite sights. Most photos are my own, some are the work of Off the Hook Astronomy and Happy Seamstress.

The typical country fair staple of judging entries was not to be missed. The fair is so large there are entries from all over. It’s really the cream of the crop here.

Sheep-to-Shawl!

     

      

Look at all that fibre fluff.

Speaking of fluff.

Believe it or not, this is not wool roving, it’s actually delicious delicious maple cotton candy.

Though some members of our group felt compelled to taste actual roving…

You have to be one of us fibre freaks to get it.

Speaking of eats, omg apple cider donuts.

I think the look on my face says it all.

Besides food, there were also animals. Super cute fibre-producing animals (the best kind!).

The underbite kills me.

Llamas are actually quite affectionate. Who knew?

SO FLOOFY!

That right there is a cashmere goat.

And here is a paco vicuña:

Not only are they the cutest of camelids, they make delightful, if expensive, fibre. This skein from Victory Farms shares my name! Alas I didn’t have the budget to actually buy one…

A final animal-related thing I have to share:

Voilà my video of the leaping llama show.

On our last night in town we sampled some local food: AKA The Melting Pot fondue restaurant! We don’t have fondue restaurants in Canada, so we got really excited. The fact that we filled up on chocolate alcoholic drinks before we got our food after a long day of walking around Rhinebeck probably didn’t help…

But I digress…

Finally, here is a summary of the goodies I brought home.

Beautiful hand dyed roving from Briar Rose Fibers and a drop spindle from David Reed Smith. I got the Susan model for fine weights. I highly recommend it.

I also got some angora rabbit for only $10. Second quality, but it will be great for spinning in with other fibres. I also picked up a gorgeous shade of blue silk and merino roving from Pucker Brush Farm. I’ll post a photo soon.

Greener Shades environmentally friendly dye starter kit.

Some soft leather for putting grips on gloves or slippers from Bittersweet Baskets and Homestead Handles.

Silk hankies from Sheepshed.

And, the pièce de résistance… a SPINNING WHEEL.

Tali likes it too.

It’s a Roadbug from The Merlin Tree. SUPER portable.

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Old stuff

I loves it.

I nerded out pretty hardcore when I saw that the decor theme at this restaurant was all vintage knitting and sewing stuff.

And at a used bookstore I recently acquired these:

   

Early American Weaving and Dyeing by J. & R. Bronson was first published in 1817. It discusses how to weave 35 designs and includes 41 dyeing recipes and tips. There is detailed coverage of wool processing, calculating thread, carding and spinning, loom operation, more.

Here are some excerpts:

Needlework as Art by Lady M. Alford is rather self explanatory. It explores the history of needlearts around the world.

Excerpts:

Remember, all of this would have been done by HAND. It blows the mind. This is why I love textiles: it’s history you can hold and use.

Another cool find recently has been a flea market with a large collection of antique crochet. Did you know that all crochet is done by hand? Machines can’t duplicate it like they can with knitting. You can have faux lace made on a machine, but it is just fibres crimped and pressed together cheaply, or in some places acrylic/plastic (shudder), but it will never be true crochet like these beauties:

 

 

 

I included the cake lifter in that last shot because it’s petit point themed. How awesome is that.

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The Distaff Gospels

The Distaff Gospels (Les Évangiles des Quenouilles), is a 15th century French collection of more than 250 popular beliefs, forming a sort of gospel of late medieval women’s wisdom. A writer and tale-teller (trouvere) named Jean d’Arras attended the daily winter spinning sessions of a group of local neighbourhood women over a period of six days. His task was to record their discussions of beliefs, recipes, remedies, and advice so that they might be preserved for future generations. The result is a rich repository of folk wisdom and lore, often buried under a gloss of the pervasive Christianity of the time period.

Here are some yarn-related excerpts:

“If a woman leaves flax unspun on her distaff on Saturday, the thread that will be spun from it the following Monday will never be any good and the cloth made with it will never be really white.”

“To get rid of warts, you must take a thread that a woman has spun after her lying-in [recovery period after giving birth] and tie it around the warts: they will all fall off instantly without difficulty.”

“A young woman who wishes to know the name of her future husband should stretch out the first thread which she has spun that day at her door and then find out the name of the first man to pass by – she can be certain that this will be the name of her husband.”

Translation I used: The Distaff Gospels. Eds and Trans. Madeleine Jeay and Kathleen Garay. New York: Broadview Editions, 2006. Print.

The Witch of Forest Grove has a great article on the Distaff Gospels on her blog, with some more quotes and pictures, here.

The Wikipedia article on weaving and mythology also provides some facinating historical context.