textiles

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London Trip

So my husband and I did this honeymoon do-over (let’s not talk about the first one, which was full of sickness and tropical storms) in August. Yes, that is over two months ago. My life has been crazy busy.

London was fantastic. We did so much in the nine days we were there, but could definitely have spent more time.

Not only did I most definitely find a knitting store:

from whence I got some lovely English yarn.

(it’s called Bowland DK by Eden Cottage Yarns. I fell in love with the colour. I also picked up a shawl pin, plus they gave me the bag for free!)

but I also chronicled my fibre-related exploits for y’all. In true librarian fashion.

The sign says:

               This door was at Westminster Abbey, if you’re curious.

I’ll start with a very cool find at All Hallows-by-the-Tower. Though it’s right by the Tower of London, it’s easy to miss. I only found out about it through an obscure blog post. Even my guide book didn’t mention it, but it’s totally worth a visit. Not just for the fibre-craft related objects I’m going to show you, but it’s a beautiful old church. In fact it’s the oldest in London. It was built on the remains of a Roman house and road, which you can still see in the basement. An added bonus? It’s one of the few churches that lets you take photos inside.

See the weird rectangle-shaped objects hanging below the pews? They are cushions: each handmade by a member of the congregation, going back generations. Here are some close-ups:

There is also this lovely weaving near the altar.

Another very cool find was the textile collection at the Victoria & Albert Museum.

I was SO excited to see these very famous ancient Egyptian socks made for wearing with sandals (ignore the “shoes” description. That’s for another item). These socks are often cited as an example of early knitting made using one needle, much like nålbinding.

The works below are woven tapestries from Byzantium.

The above is a woven silk piece depicting a bishop. It dates to 12-1300’s Germany or Italy. The very modern (i.e.: cartoon-like) looking face (complete with what looks like spectacles!) just kills me.

These woven pieces date to early Christianity in Egypt, around 400-600:

Here is a close up of the tapestry on the left. It depicts ankhs – an ancient Egyptian symbol of life that was adopted by the Christian Copts around the 4th century.

Below we have a quilt dating to 1360-1400. Probably made as a wedding gift, it depicts fourteen episodes from the adventures of Tristan. It was hard to take in all the detail on our camera, but you get the idea: lots and lots of stitching BY HAND. So gorgeous. It really has to be seen in person.

This next one is obviously a passion of the Christ scene. Probably from France around 1400-25. Once again woven BY HAND, folks. Our tour guide told us it took a professional weaver about a month working full time (sunrise to sunset) to make 1 square meter. Remember, most of these were big enough to cover a castle wall!

By the way, if you’re curious why tapestries were so common in the medieval period, here’s an answer: no central heating. Well-to-do homes that could afford tapestries were also typically made of stone. That sh*t gets cold!

We also got to see the famous, and enormous, ‘Boar and Bear Hunt’ woven wool tapestry, probably made in Arras, France or Tournai, Belgium around 1425-30.

The last fibre arts related stop that we made was at the Globe Theatre. I was super stoked to find a whole reproduction of an Elizabethan costume textile workshop in the museum.

Can you say “heaven”?

I really doubt that the following close-up images need introduction. Fleece, yarn, dye pots, sewing, pattern drafting, embroidery and lace work, it’s all here.

Pssst: the velvet above is authentic 15th-17th century Spanish and Italian handmade velvet.

And here we have the costume worn by an actress who played Queen Elizabeth at the Globe re-opening.

Check out the handmade lace!

I’ll end with this cool video my husband took of the Swiss Glockenspeil in Leicester Square near Piccadilly Circus/Covent Garden. Not textile related, but still a pretty cool handicraft.

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Old stuff

I loves it.

I nerded out pretty hardcore when I saw that the decor theme at this restaurant was all vintage knitting and sewing stuff.

And at a used bookstore I recently acquired these:

   

Early American Weaving and Dyeing by J. & R. Bronson was first published in 1817. It discusses how to weave 35 designs and includes 41 dyeing recipes and tips. There is detailed coverage of wool processing, calculating thread, carding and spinning, loom operation, more.

Here are some excerpts:

Needlework as Art by Lady M. Alford is rather self explanatory. It explores the history of needlearts around the world.

Excerpts:

Remember, all of this would have been done by HAND. It blows the mind. This is why I love textiles: it’s history you can hold and use.

Another cool find recently has been a flea market with a large collection of antique crochet. Did you know that all crochet is done by hand? Machines can’t duplicate it like they can with knitting. You can have faux lace made on a machine, but it is just fibres crimped and pressed together cheaply, or in some places acrylic/plastic (shudder), but it will never be true crochet like these beauties:

 

 

 

I included the cake lifter in that last shot because it’s petit point themed. How awesome is that.

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Knitter’s Frolic

So this past weekend was the annual Knitter’s Frolic. I went with some members of my knitting group, and we had a lot of fun.

  Above photos from CanadianChia.

And saw some amazing things.

  CASHMERE ROVING. IT FEELS LIKE CLOUDS.

And when it comes to shopping, I made out like a bandit this year. A bandit who pays for all their loot, but a bandit nonetheless.

Everything there was just SO AWESOME this year. More awesome than it already normally is. Plus I got more back that I thought I would with my tax return, so happy early birthday to me.

Here is the pile, in all its glory:

IMG_0533

And now for the breakdown, minus the Addi Turbos and the Indigodragonfly project bag with the hilarious print.

First we have some beautiful lace weight. Seriously, the picture does not do the emerald tones of this skein justice. It’s Shalimar Yarn‘s Breathless Lace in Loden. Handpainted! 850 yds! $30! 😀

I plan on making this beauty with it.

Then I stopped by a family-owned farm‘s stall and grabbed me some more hand painted goodness:

Once again, my camera does not do the deep hues of this yellow any justice. I normally don’t go for yellows, but it was so gorgeous it had to come home with me.

The Black Lamb (another local yarn producer) had this at their booth:

Merino mixed with angora rabbit! Get in my shopping bag now please!

Then at the booth for Gateway Fibreworks (another local outfit that makes yarn from Ontario alpacas – noticing a “local” theme yet?) I saw this skein, the last one they had of it’s colourful yet undyed (these are natural alpaca fleece colours) kind and had to have it.

While I was there I grabbed these mini skeins because alpaca mini skeins.

I’m thinking it should be enough for fingerless gloves.

So that’s it for the local fibres. I had planned on buying only local, normally-hard-to-get-your-hands-on stuff, but then…

Classic Elite Yarns Provence on sale for 30% off at EweKnit‘s booth.

Since I needed some DK weight cotton for this vest, I figured I might as well buy it while it’s on sale.

This Habu skein was also 50% off at Unraveled. I’ve always wanted to try Habu (the ones that brought you yarns made from paper, steel, and etc) and at this price for a little skein I figured why not?

It’s called Kibiso silk. It may not look very silky, but that’s because it is actually made from the waste silk, which is the fuzzy bits on the surface one gets when you reel silk from a cocoon.

And last, but not least, we have this skein from Skein (har har). When I saw it at Shall We Knit‘s booth, I had to have it. It’s just so different. The colourway is Tuscany.

I also got a good deal on hand carders from Gemini Fibres. I’ll need them if I ever actually start spinning.

Speaking of starting spinning, I’ve taken a step in the right direction! I took Barb Aikman’s class on the Sunday of the Frolic.

I’ve got a long way to go, but at least it’s a start. I had trouble with the single treadle I was using, so a fellow student was kind enough to let me try her Ashford Joy2. Muuuuch better.

…aaand now I want an Ashford Joy2. It’s a beautiful machine.

But, before I can think of that, or use all this new yarn that is burning a hole in my stash, I must finish the baby knitting (yes, there is still another set of these:

as well as a blanket to go) plus the shawl I’ve started for myself:

I think I needed to finally make something for myself. People are starting to ask why I knit so much but hardly wear any knitwear :S

Luckily this shawl is in worsted weight, so hopefully it won’t take too long.

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Books

I’ve been writing about knitting a lot lately, and technically this blog is supposed to also be related to the fact that I am a librarian. So, without further ado, some book-ish things (though some of it is still yarn-related, but I digress) :

The Toronto Public Library’s Arthur Conan Doyle Collection recently acquired an autograph notebook. This item was purchased from someone who found it at a flea market in England.

What makes this find so interesting is that it seems to have belonged to two children with the last name Cubitt. On one of its pages they concocted a unique code using images of dancing stick figures.

This was in 1902. In 1903 Doyle signed the book for the children.

What is interesting is that in that same year Doyle published his Sherlock Holmes story “The Adventure of the Dancing Men,” and Holmes’ client in the story bears the last name Cubitt. Additionally, Doyle is said to have gotten the idea for this inventive code after seeing some stick-figure letters drawn by a young boy in an autograph book. Intriguing, wouldn’t you say? Full story here.

Sometimes I wish I worked in a collection like the Doyle Collection. For one, I’m a nerd who likes history and having the responsibility of preserving it, but another reason is that it would get me out of public service.

Don’t get me wrong, 90% of the time I like it. You get your difficult patrons, of which there have been many of late for some reason, but the good experiences make up for it. And I’m too social a person to be content hiding behing books all day. It’s just that this coming week I have my first class visit :S

I love doing storytimes for the kiddos, and have been doing that for almost two years, but this is another level. It’s not just fun and games, read them books, teach them songs, and just get across that literacy = fun. I have to talk about what the library is and offers… to 5 year olds. Do they even know what “borrow” means? Probably not. I need to remember to explain absolutely everything, but as simply and non-boringly as possible. And their teachers will be watching. Adults are so much harder to please than kids…

This brings me to this new book I’m quite impressed with:

Show Me a Story by Emily K. Neuburger has been giving me lots of ideas of things to try next week. It might just save my bacon…

And now for the latest editions to books-Erin-shouldn’t-be-buying-but-did:

Sewing Basics : All You Need to Know About Machine and Hand Sewing by Sandra Bardwell I am hoping will answer all of my myriad of questions as I enter the netherworld of sewing machine use. By the look of things, it will:

That's a lot of types of machine feet...

So excited for Knitting in the Old Way by Priscilla A. Gibson-Roberts and Deborah Robson, which I scored for $10. Priscilla also wrote this other gem, which I wrote about here. It’s not flashy, but it is packed with information. If you are at all interested in textile history, this is one you should pick up.

I got these two books at the Creativ Festival today, where I modelled for the fashion show displaying local designers, organized by Creative Yarns. It was a lot of fun and very inspiring (we have a lot of talent in Toronto). Off to bed now for round two and more shopping tomorrow.

I leave you with the progress I’ve made on my fingerless gloves WIP…

and Ozzy the alpaca.

And as a bonus for making it to the end of this post, have some free book plates I’ve pinned on Pinterest. Cheers!